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g GUIDE THROUGH ITOLIX LITERATURE. |
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Studies, Step V. (Continued.
Rode, P. Caprices, revised by Carl Courvoisier (5678).
Couvoisier does not adhere altogether to the original text, but uses his own discretion, here as elsewhere he is careful to avoid very long bows which would counteract the production of a broad and powerful tone.
Vieuxtemps, H. Op. 16. 6 Concert Studies. |
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Step VI. Very difficult.
Gavinies, P. 24 Etades (24 Matinees). Gradus ad Parnassum. A Collection of Studies in progressive order, selected, carefully revised, fingered, and edited, with annotations and remarks by E. Heim: — Book X. A. 17 Studies in the Polyphonic Style. — Prelude. Fugue. Fughetta. By Bach, Campagnoli, and Pichl. — B. 13 Concert Studies, Harmonics and Pizzicato (with the left hand). By Alard, Dancla, Leonard, Lipinsky, Mazas, Paganini, Prume, and Wieniawski. (5480).
Graduated Studies revised by Ernst Heiru, each book corresponds in difficulty with the same book of his Violin Duets, "Arena", see page 127, and his Violin and piano pieces, "Palaestra"', see page 158. "Wieniawski, H. L'£cole moderne. fitudes-Caprices, Op. 10. (E. Heim.) (5687). |
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Pieces for Violin Solo.
Step I. In the first position.
Hermann, Fr. 50 favourite Melodies. (5465a).
Hofmann, R. Potpourris on Popular Melodies from Classical and Modern Operas and Oratorios. Arranged by R. Hofmann. 45 Books
(in the first position):—
Le Postilion. (5401a). j La Fille du Regi-
ment. (5406a).
Lucia di Lammer-
moor. (5407a). |
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